I remember my first office desk well. It was the roaring '90s in Manhattan. "Silicon Alley," they called it. I was fresh out of college, working at a Web design company. The office had an open layout. We all shared long tables. I did have a window that looked onto a stone wall. I was given a computer, a drawer and a fancy ergonomic chair.
In the opening pages of Daphne du Maurier's 1938 novel Rebecca, the narrator lays out a feast for the imagination: "Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones. Sandwiches of unknown nature, mysteriously flavoured and quite delectable, and that very special gingerbread." Of course, the reader can't actually see these treats — and that's where graphic designer Dinah Fried comes in.
It is never not awkward to talk about a film after one of the stars has died. That's perhaps never any more true than it is in the case of Brick Mansions, one of the last films of Paul Walker. Walker died in November of last year after a career that included a lot of movies like this one: silly, hyper action thrillers that often included, as this one does, moments in which everybody in the theater chortled at their insane, cartoonish brutality.
A few days after winning a Pulitzer Prize for his photos of a 2013 terrorist attack in a Nairobi mall, Tyler Hicks received an email. It was from one of the women he'd photographed that day — sheltering her two young children on the floor of a cafe. She had heard about the Pulitzer and seen her photo on The New York Times website.
Now it's time for our Wisdom Watch. That's the part of the program where we hear from those who've made a difference through their lives and their work. Today, we hear from a woman who is a legend in the world of dance, theater, television and film. Debbie Allen played the iconic dance teacher Lydia Grant both in the movie and in the 1980s television series "Fame."
75 years ago an African-American singer named Marian Anderson stood on the steps of the Lincoln Memorial in Washington D.C and performed for tens of thousands of people. It's been called “The Concert that Shook the Establishment." During her lifetime - Anderson's unique voice was heard and praised around the world. She remains an important figure for music as well as civil rights. Ollie Watts Davis, a professor of voice at the University of Illinois at Urbana-Champaign is paying tribute to Anderson this weekend.
Originally published on Fri April 25, 2014 7:19 am
There is a moment in The Other Woman in which Leslie Mann and Cameron Diaz, playing a wife and her husband's former mistress — now friends — fall into a hedge together. When they're spotted, there's a little bit of physical business that's legitimately funny. If you can ignore the fact that the moments of this kind scattered through the film are decorating such a conceptually odious, stupid-to-the-bone enterprise, some of them may make you laugh.
Has "Let It Go," the showstopper from Disney's Frozen, been stuck in your head all winter? You're probably humming it right now. It's a big-sounding song with a strong emotional core, written by husband-and-wife songwriters Bobby Lopez and Kristen Anderson-Lopez. If Queen Elsa, once destined to be the story's villain, is Frozen's superhero, then the Lopezes view "Let It Go" as her origin story moment.
Sure you have an Oscar, but do you have an Ask Me Another Rubik's cube? Frozen's married songwriters Bobby Lopez (Book of Mormon, Avenue Q) and Kristen Anderson-Lopez let their competitive swagger shine in a game where the answers are mashed-up musicals, like "The Lion King and I."
It's been twenty years since the roots-rock group called The Band was inducted into the Rock n' Roll Hall of Fame. And Illinois-based band will be paying tribute to them at Donnie's venue in Springfield on Saturday. Called Old Shoe -- the group's original music is heavily influenced by The Band and The Grateful Dead. Old Shoe's Matt Robinson tells us more in this piece produced by Rachel Otwell:
It's probably a little too pat to say that all successful political careers are marked by contradiction and compromise, though you're not likely to hear many objections to that characterization. Politics is a game of survival, and with a few sadly notable exceptions, unyielding purists seldom make it to the top.
It has been a very good 12 months for Lupita Nyong'o: piles of awards (including an Oscar for Best Actress in a Supporting Role for her portrayal of Patsy in 12 Years a Slave), a contract to be the face of Lancôme Paris cosmetics, and now this: the cover of People's annual "50 Most Beautiful" issue.
Over the past year or so, I've looked at how TV's expanding universe represents gays and lesbians and working women. This piece about transgender representation feels like an important part of the same project.
Skyscrapers are a hallmark of large cities. Modern engineering makes it possible to erect something as tall as the Empire State Building on a very small footprint. Although developers love these buildings, in New York — the city of skyscrapers — residents have been upset at the shadows they cast over public spaces like Central Park.
Seth Meyers already had his dream job. As the host of Saturday Night Live's Weekend Update, "I sort of had already accomplished the job I never thought I would accomplish," he tells Fresh Air's Terry Gross. He joined the cast in 2001 and was there for 12 years.
Finally today, let's hear from a model and actress who also has Nigerian roots, Yaya Alafia. Last year was a breakout year for her with meaty roles in critically acclaimed films including Lee Daniels' "The Butler" and Andrew Dosunmu's "Mother of George." And she had a baby.
Originally published on Wed April 23, 2014 8:26 am
Fox has started to release images of the Simpsons from the upcoming episode "Brick Like Me," which is — get this — the 550th episode. That means you could watch a different episode of The Simpsons every day for roughly a year and a half, weekends and weekdays, before you ran out of new ones.
Originally published on Wed April 23, 2014 6:44 am
The question you have to ask yourself is, how juicy do you like your science fiction?
And I mean that in terms of a spectrum. To me, classic space operas are saltines — dusty and dry and fit only as a calmative after a long binge of weirder, more foreign flavors. William Gibson? He's ... moist. Rudy Rucker is a juicy peach. Paul Di Filippo is that same peach, a week gone and with a tooth stuck in it.
INSKEEP: Our tech reporting team has its head in the cloud this week. The Supreme Court heard oral arguments yesterday in a case concerning over-the-air television being stored in the cloud. A start-up company called Aereo lets customers access broadcast TV shows through computers, smartphones and tablets. Protesters say they're stealing content.