Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

Great fado singers sound as if they carry the weight of the world's sadness. They don't just wear their hearts on their sleeves — they bare their souls.

For more than half of his 32 years, Lang Lang has been in the spotlight, as an international star and arguably the most crowd-pleasing classical pianist on the planet. From venues as diverse as the Beijing Olympics and Brazil's World Cup to New York's Central Park and Stockholm's Nobel Prizes, Lang Lang routinely crisscrosses the globe playing to innumerable masses. Last month he filled London's cavernous Royal Albert Hall two nights in a row.

Twenty years ago, pianist András Schiff did not hide his disdain for the fortepiano — the smaller, quieter precursor to the modern grand piano. In the liner notes of five separate Schubert albums Schiff released in the early 1990s, he wrote: "Schubert's piano music has luckily not been discovered yet by specialists playing copies of Graf fortepianos."

Spring finally seems to have arrived with an abundance of flowers. In the old poem, it's April showers that bring May flowers. But in opera, flowers pop up for a variety of reasons, and not all of them are pretty. While operatic flowers can be enjoyed for their beauty, their allure can also spell trouble. This springtime fleurs de l'opéra puzzler includes some lovely blossoms you might not want to sniff. Score high and come out smelling like a rose. Score low and feel yourself wilt with inadequacy.

Trumpeter Rolf Smedvig, praised for his beautiful tone and virtuosic style, died Monday afternoon at his home in West Stockbridge, Mass. The cause of death, according to his long-time manager Mark Z. Alpert, was a heart attack. Smedvig was 62.

Life changed a lot after that day in 1877 when Thomas Edison spoke "Mary had a little lamb" into a contraption he called a phonograph and discovered he could reproduce sound. Back then, tinfoil cylinders captured just a few flickering moments. Today Wagner's entire Ring cycle fits on a 16GB flash drive.

Now that the weather, at least in much of the country, has turned from polar to pollen vortex, it's time to start mapping out musical road trips. This year bodes well for exploring contemporary work. There are new-music meccas like California's Cabrillo, where all the music is current. At other festivals, like New York's Mostly Mozart, the classics mingle with the contemporary — this year spotlights 55-year-old British composer George Benjamin. And still others, like the Bard Festival, offer rare glimpses into forward-thinking composers from the mid-20th century.

Julia Wolfe, a composer associated with the New York music collective Bang on a Can, has won the Pulitzer Prize for music for Anthracite Fields.

Percussionists back in Beethoven's day could be forgiven for feeling a little bored, waiting for the infrequent roll of the kettledrum or the occasional cymbal crash. But as orchestras grew bigger, percussionists got busier — even more so after World War I, when a new generation of composers began writing specifically for percussion.

Andrew Porter, a renowned music critic and scholar and translator of opera, died early today in London's Chelsea and Westminster Hospital. His twin sister, Sheila Porter, told NPR his death was the result of complications from pneumonia. He was 86.

Each April 1st, practical jokers get their kicks pulling the wool over people's eyes. There are little white lies, cunning schemes and elaborate hoaxes. Pranksters are alive and well in music, too. Test your wits with these musical smart alecks who run the gamut from clever clowns to serious scam artists. Score high and feel a surge of superiority. Score low and fancy yourself a true April fool.

It was December 1990 — more than a year before the first Anonymous 4 album was released — when NPR invited four slightly shy women into our studio to sing 13th-century Christmas music. Back then, we already knew the manifold beauty of their sound, its purity and accuracy, was something unique.

Now, some 25 years and 21 albums later, the a cappella vocal quartet is calling it quits at the end of 2015. But not before one final visit to NPR.

Arvo Pärt was saved by the bell. The Estonian composer, who turns 80 in September, hit a creative roadblock in 1968. After a hiatus of eight years he returned with a new sound inspired by the simple triad (a stack of three notes, an essential building block of Western music) and by bells. He called his new style tintinnabuli (from the Latin for bells).

The Bachelor, the reality TV show poised to close out another nail-biting season (which young woman will Chris Soules choose Monday?), has nothing on opera. Over the past 400 years, composers have placed onstage any number of hot-blooded Romeos, sensible gentlemen and conniving psychopaths all looking for the perfect mate.

Pavarotti, roll over. There's a new king of the high Cs. His name is Bryan Hymel and he pops off no fewer than 10 of them in "Asile héréditaire," the Rossini aria that opens his new album Héroïque, released Tuesday.

Music lexicographer Theodore Baker, in his biographical dictionary of musicians, labeled J.S. Bach as the "supreme arbiter and lawgiver of music." And while Bach may have blanched had he read such a description, there is absolute power to much of his music.

Even trailblazing composers like Steve Reich sometimes look to the distant past for inspiration. His 1993 Duet for two violins and strings is music in which minimalism reaches back to its ancient roots. These six minutes of mesmerizing sunshine recall both the rigorous counterpoint of J.S.

On June 28, 1969, police raided the Stonewall Inn, a gay bar in New York's Greenwich Village. A riot broke out, sparking successive nights of protest and, many say, the emergence of the modern gay rights movement.

They're celebrating Down Under. Today is Australia Day, a holiday marking the arrival of British ships at Sydney Harbour in 1788. A perfect day then to salute something truly Australian, something that speaks of national pride, austere landscapes and even the darker side of Australian history — the music of Peter Sculthorpe, who died last year at age 85.

The day composer John Luther Adams won the 2014 Pulitzer Prize for his symphonic seascape Become Ocean, I tracked him down in Houghton, Mich., in the northernmost reaches of the Upper Peninsula. Over a crackly phone line, Adams — who turns 62 Friday — said he never thought much about a career with a capital C.

Pill popping, pot smoking, back-stabbing, bed hopping and tantrum throwing — now we're talking classical music! At least that's what the new Amazon series Mozart in the Jungle would have us believe is all in a day's work for orchestra musicians. The 10-part series is based on a tell-all book of the same name published a decade ago by oboist Blair Tindall.

Farewells are never easy, especially when you're saying goodbye to a favorite musician. From conductors and composers to pianists, singers and critics, the classical music world lost many masterful musicians in 2014.

It's another new year and with it comes more resolutions, decisions and responsibilities.

How do you get off to a good start? That's a question many composers ask themselves when writing a piece of music. Some dive right in — BAM! Others ease into a new composition gently. See if you can identify these opening measures of music. Score high and consider yourself good to go for 2015. Score low and think about starting all over again!

Most years, Tom Huizenga and I spend a lot of time after Thanksgiving and well into December battling over — or, more truthfully, having many friendly but spirited discussions about — which recordings should comprise our 10 favorites of the year. We each come up with a list of 10, and then we start hammering things out in some amount of exquisite music-nerd agony. Some albums we agree upon, some are our individual picks.

Don't ask the members of the Dublin Guitar Quartet to play the time-honored classics of the Spanish repertoire. They might play traditional Spanish style classical guitars, but they're not your standard guitar ensemble. The Dubliners are strictly devoted to contemporary music. They've been commissioning new pieces and adapting others for both acoustic and electric guitars since 2002, when the group formed at the Dublin Conservatory of Music and Drama.