Neda Ulaby

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's radio and online stories reflect political and economic realities, cultural issues, obsessions and transitions, as well as artistic adventurousness— and awesomeness.

Over the last few years, Ulaby has strengthened NPR's television coverage both in terms of programming and industry coverage and profiled breakout artists such as Ellen Page and Skylar Grey and behind-the-scenes tastemakers ranging from super producer Timbaland to James Schamus, CEO of Focus Features. Her stories have included a series on women record producers, an investigation into exhibitions of plastinated human bodies, and a look at the legacy of gay activist Harvey Milk. Her profiles have brought listeners into the worlds of such performers as Tyler Perry, Ryan Seacrest, Mark Ruffalo, and Courtney Love.

Ulaby has earned multiple fellowships at the Getty Arts Journalism Program at USC Annenberg as well as a fellowship at the Knight Center for Specialized Journalism to study youth culture. In addition, Ulaby's weekly podcast of NPR's best arts stories. Culturetopia, won a Gracie award from the Alliance for Women in Media Foundation.

Joining NPR in 2000, Ulaby was recruited through NPR's Next Generation Radio, and landed a temporary position on the cultural desk as an editorial assistant. She started reporting regularly, augmenting her work with arts coverage for D.C.'s Washington City Paper.

Before coming to NPR, Ulaby worked as managing editor of Chicago's Windy City Times and co-hosted a local radio program, What's Coming Out at the Movies. Her film reviews and academic articles have been published across the country and internationally. For a time, she edited fiction for The Chicago Review and served on the editing staff of the leading academic journal Critical Inquiry. Ulaby taught classes in the humanities at the University of Chicago, Northeastern Illinois University and at high schools serving at-risk students.

A former doctoral student in English literature, Ulaby worked as an intern for the features desk of the Topeka Capital-Journal after graduating from Bryn Mawr College. She was born in Amman, Jordan, and grew up in the idyllic Midwestern college towns of Lawrence, Kansas and Ann Arbor, Michigan.

Universal Pictures put a woman in charge when it hired Sam Taylor-Johnson to direct Fifty Shades of Grey. It also got an art world star nominated for such prestigious awards as Britain's Turner Prize. Truth be told, Taylor-Johnson sounds slightly relieved to discuss her photography and videos instead of the movie she's in the thick of promoting.

"It feels so far away from me right now," she says, in her plummy London accent. "And it's so nice to talk about again — gives me a bit of a breather."

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"The right actors win Oscars, but for the wrong roles," Katharine Hepburn once said.

The Motion Picture Academy has a history of rewarding stars for less-than-celestial performances, and this week's Oscar nomination announcements left a lot of people scratching their heads — over the snubs for Selma, for example, and the nomination of Robert Duvall for best supporting actor in The Judge.

"I think most people hadn't even heard of The Judge before that nomination," says Alyssa Rosenberg, culture columnist for The Washington Post.

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"Can't they take a joke?" That's the question that came up after the 2005 Danish cartoon controversy and now, again, after the massacre at the French satirical magazine Charlie Hebdo. The suspected killers obviously reflect a tiny minority of extreme religious fanatics, but the question made us wonder: What is the role of satire in the Muslim world?

Bess Myerson was crowned Miss America in 1945 and was the only Jewish-American woman to ever hold the title. She went on to have a long career in public affairs, though it was sometimes marked by scandal. She died Dec. 14 at the age of 90.

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Joe Cocker died Monday at his home in Crawford, Colo., after what his publicist described as a hard-fought battle with small-cell lung cancer. He was 70.

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Norman Bridwell, the man who created "Clifford The Big Red Dog," has died. Clifford romps through about 150 children's books, a series on PBS Kids and a movie coming out next year. NPR's Neda Ulaby has this remembrance of the best-selling author.

When you think about the musical Annie, what associations come to mind? Probably the song "Tomorrow," right? And Annie's bright red, curly hair? Red hair comes with its own cultural mythology. In this case, it underscores Annie's plucky, independent spirit.

As it turns out, hair is almost a character in this trailer for the new version of Annie coming out Dec. 19, says Noliwe Rooks, a professor at Cornell University. In just 2:19 minutes, you'll see three or four jokes about or references to hair.

This post was updated at 11:10 a.m. ET for clarity.

How would you — or do you — identify on online dating sites? Gay? Straight? Bisexual? Well you're about to have many more options on OkCupid, one of the most popular sites for people seeking love and connection.

OkCupid has about 4 million users, and within the next few weeks the site will give all of them brand-new options for specifying their gender and sexual orientation — options like androgynous, asexual, genderqueer and questioning.

The monsters of repression are what terrorize a single mom and her little boy in The Babadook. The small, independent, Australian, feminist horror movie was one of the buzziest films coming out of the 2014 Sundance Film Festival. As of this writing, The Babadook enjoys an impressive 97 percent positive score on Rotten Tomatoes.

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Now let's hear the new generation of an aging song. It's a song produced 30 years ago to raise money for people in Africa.

(SOUNDBITE OF SONG, "DO THEY KNOW IT'S CHRISTMAS?")

The straight white men of Straight White Men aren't what you might expect. Near the beginning of the new off-Broadway play, two adult brothers play a homemade, family board game, refashioned out of an old Monopoly set. Because the family is liberal and progressive, it's called "Privilege." It makes fun of their own straight-white-male privilege.

"Ah, 'excuses' card!" one of the brothers exclaims. The other reads it aloud. "What I just said wasn't racist/sexist/homophobic because I was joking," he deadpans. "Pay $50 to an LGBT organization."

What if the greatest characters in literary history all carried around smartphones and typed out messages to each other? That's the conceit of the new book Texts from Jane Eyre. Author Mallory Ortberg knows it sounds gimmicky, but she loved imagining how Jane Eyre and Mr. Rochester might have texted.

"It's just re-imagined dialogue that I think all of these characters would absolutely say in a slightly more familiar context," Ortberg explains.

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There are three sides to every story, or so the saying goes — yours, theirs and the truth. That's basically the premise of a new triple feature: three films that show a crumbling relationship from different points of view. Together they're called The Disappearance of Eleanor Rigby Him, Her and Them. (Them comes out in theaters Friday, and Him and Her will be released next month.)

Just for a second, imagine a world without war, conflict or grief. Refreshing, right? But it's also a world without memory, at least in the premise of Lois Lowry's 1993 novel The Giver. The movie adaptation opened this week and stars Meryl Streep and Jeff Bridges.

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From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.

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When I invited people over for brunch not long ago, the last thing I expected was a wander into the murky world of food preservatives. It started off so simply — with enchiladas, in fact. Enchiladas are my go-to brunch dish, mostly because a little store near me stocks incredible tortillas from a local factory in Maryland called Moctec.

Black Jesus, a new show premiering Thursday on Adult Swim, is about, well, a black Jesus. Set in contemporary south Los Angeles, it presents a Jesus roaming around a neighborhood filled with liquor stores, mini-marts and people praying for help.

Crime fiction writer Lawrence Block lives in New York's West Village, in a stately art deco building overlooking Abingdon Square. He bought an apartment there decades before actress Jennifer Aniston did. (She sold hers shortly thereafter.) Block is 76, silver-haired and keen-eyed; and in his pastel shirt and khakis, he looks decidedly more Hamptons than downtown.

Deep in the archives of the Library of Congress' Culpeper, Va., film preservation center lie thousands of movies in cool, climate-controlled vaults. Hundreds are a century old or older, and unidentified. Their titles have been lost over the years and the library knows little about them, so it started inviting fans of early film to a yearly event called Mostly Lost to help figure out what they are.

And you know what? Those fans are rowdy.

Real men eat meat. They kill it and then they grill it.

That's the stereotype, or cliche, that's about as old as time.

At a recent barbecue in Brooklyn, N.Y., a half-dozen guys who resist that particular cultural stereotype gathered together. Many of them are muscled semi-professional athletes, including triathlete Dominic Thompson, competitive bodybuilder Giacomo Marchese and mixed martial arts fighter Cornell Ward.

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