Neda Ulaby

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's radio and online stories reflect political and economic realities, cultural issues, obsessions and transitions, as well as artistic adventurousness— and awesomeness.

Over the last few years, Ulaby has strengthened NPR's television coverage both in terms of programming and industry coverage and profiled breakout artists such as Ellen Page and Skylar Grey and behind-the-scenes tastemakers ranging from super producer Timbaland to James Schamus, CEO of Focus Features. Her stories have included a series on women record producers, an investigation into exhibitions of plastinated human bodies, and a look at the legacy of gay activist Harvey Milk. Her profiles have brought listeners into the worlds of such performers as Tyler Perry, Ryan Seacrest, Mark Ruffalo, and Courtney Love.

Ulaby has earned multiple fellowships at the Getty Arts Journalism Program at USC Annenberg as well as a fellowship at the Knight Center for Specialized Journalism to study youth culture. In addition, Ulaby's weekly podcast of NPR's best arts stories. Culturetopia, won a Gracie award from the Alliance for Women in Media Foundation.

Joining NPR in 2000, Ulaby was recruited through NPR's Next Generation Radio, and landed a temporary position on the cultural desk as an editorial assistant. She started reporting regularly, augmenting her work with arts coverage for D.C.'s Washington City Paper.

Before coming to NPR, Ulaby worked as managing editor of Chicago's Windy City Times and co-hosted a local radio program, What's Coming Out at the Movies. Her film reviews and academic articles have been published across the country and internationally. For a time, she edited fiction for The Chicago Review and served on the editing staff of the leading academic journal Critical Inquiry. Ulaby taught classes in the humanities at the University of Chicago, Northeastern Illinois University and at high schools serving at-risk students.

A former doctoral student in English literature, Ulaby worked as an intern for the features desk of the Topeka Capital-Journal after graduating from Bryn Mawr College. She was born in Amman, Jordan, and grew up in the idyllic Midwestern college towns of Lawrence, Kansas and Ann Arbor, Michigan.

It sounds like a fairy tale: Five beautiful sisters with long flowing hair are locked up together and forced, one by one, into marriage. But it's not a fairy tale — it's the story of a new movie called Mustang set in a contemporary, rural Turkish village.

George Takei has, over the years, lent his gently charismatic presence to many stages — the original Star Trek soundstage, where he played the USS Enterprise's Mr. Sulu, then the social media stage, where he emerged as a leading activist for gay and lesbian rights. Now, Takei is making his Broadway stage debut in Allegiance, a musical inspired by his childhood experience in Japanese-American internment camps during World War II.

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A new movie opening next week follows a macho guy in a rough job.


The title character of The Assassin is a mysterious, silent woman draped in black, calm and implacable — even while slitting an unlucky warlord's throat.

The film, set in 9th-century China, is the latest from one of the great directors of world cinema, a man who just came to the U.S. for the first time in 20 years: Hou Hsiao-Hsien. Earlier this year, his film won the top directing prize at the Cannes Film Festival.

One of the best-reviewed shows on Broadway right now is a revival of a musical that closed there only six years ago. Spring Awakening is based on a play about German teenagers in the 1890s. Part dark morality play, part rock opera, the musical swept the 2007 Tony awards and made TV stars of its two main leads, Leah Michele (of Glee) and Jonathan Groff (of Looking).

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The Nobel Prize for literature usually goes to someone who writes literature. But this morning, the world's most prestigious award in letters went to a journalist from Belarus. NPR's Neda Ulaby tells us about Svetlana Alexievich.

Patti Smith has a new memoir out. And the reviews are really good.

Ruth Reichl is in her green-tiled kitchen on the Upper West Side, stirring pungent fish sauce into a wok of sizzling pork. Perhaps you remember her as a highly influential restaurant critic for the LA Times and the New York Times (15 years), or from her best-selling books about food (three, including her memoir Tender At The Bone) or that she ran Gourmet magazine for 10 years.

Six African-American women leap and run across scuffed wooden floors in a drab Broadway dance studio. They're creating complicated patterns, reshaping the air under harsh fluorescent lights. These are the women of Camille A. Brown and Dancers.

Brown, the company's 35-year-old founder, wears bright red athletic shorts and swings Raggedy Ann-colored braids. She spends more than two hours running through the same single minute of the show, over and over, until the dancers nail it.

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America's favorite fictional cub reporter has died.


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While driving to his studio in New York's Rockaway Beach neighborhood, artist Christopher Saucedo looks out across Jamaica Bay. He sees a glittering Manhattan and the spire of the new World Trade Center gleaming in a cloudless sky.

"Obviously, where it stands there were once two other very tall towers," the art professor says dryly.

He was called the Sultan of Shock and the Guru of Gore: Wes Craven, who died Sunday, directed dozens of now-classic horror movies, including A Nightmare on Elm Street and all of the Scream films.

Scream, from 1996, is an expert parody of horror movies, filled with inside jokes — like the girl alone in the house who gets a phone call that's coming from closer than she thinks. Writer Kevin Williamson made it funny. Craven made it scary.

News about the stock market's ups and downs hardly comes as music to the ears — unless you happen to be experimental musician Jace Clayton.

Clayton, who also performs and records as DJ /rupture, is working on a new composition called Gbadu And The Moirai Index, which uses an algorithm to translate the market's movements into a piece for four voices. Each singer plays a mythological character — the Moirai are the three Greek goddesses of fate, and Gbadu is a dual-gendered West African fate deity.

George is 10, loves to read and has a best friend named Kelly. Everyone thinks George is a boy, but she doesn't feel like one.

To say I was not excited about this assignment would be an understatement. An NPR piece about vegetable broth? It seems like a parody — like an NPR piece about Birkenstocks or lattes or, um, knitting. But then Bren Herrera threw open the door to her house in suburban Virginia, and suddenly a radio story seemed possible.

Skylar Fein had only lived in New Orleans for a week before Hurricane Katrina nearly tore it apart. He'd moved there to go to medical school, and found himself wandering around a wrecked city. "It's really hard to describe to someone who hadn't seen it what the streets looked like after the storm," he recalls.

Fein is among other New Orleans artists exhibiting work in shows commemorating the 10th anniversary of the 2005 storm. One thing he has in common with some of the other artists: They weren't artists before the hurricane hit.

Anniversaries call for exhibitions, and art museums across New Orleans felt compelled to remember Hurricane Katrina as the 10th anniversary of its landfall approaches. But the anniversary shows at some of the city's most high-profile museums seem surprisingly understated, at least to outsiders' eyes. In fact, they barely seem to be about Katrina at all.

It's blazingly hot outside and five summer fellows from the Tulane City Center are standing in a playground at a youth center in New Orleans. The architecture students diplomatically describe the playground's design as "unintentional": There's no grass, trees or even much shade, and it's surrounded by a chain-link fence topped with barbed wire. The students, both graduate and undergraduate, are there to make the playground a little nicer.

"Right now, it feels like a prison," says Maggie Hansen, the center's interim director.

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A word of caution now. You're about to hear the old nursery rhyme "Little Jack Horner" in the creepy voice of one of the world's first talking dolls.


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Superheroes, by definition, are extraordinary individuals - not exactly the type to blend in with a crowd - but what about Ant-Man?


If superheroes are one of the ultimate expressions of individualism, what are we to make of Ant-Man, a Marvel Comics character based on one of the least individual, most collective creatures on the planet?

Ant-Man can shrink to the size of an ant — and, in the movie which opens this weekend, ants are his greatest allies. "The ants are loyal, brave and will be your partners on this job," explains the scientist who invented Ant-Man's supersuit.

It has been called the "Super Bowl of the ocean."

Shark Week is a ratings bonanza for the Discovery Channel with more than 40 million people tuning in last year. Shark Week kicked off this weekend with the most hours of programming ever in its 28-year history But many scientists think the huge audiences — and the hype — have come at the expense of real science.

A generation of shark scientists cut their teeth on Shark Week.

When it comes to online video, the world is glued to YouTube. People watch billions of videos on it every day. And that huge share of online eyeballs is why other companies are trying to chip away at its dominance and lure some of its biggest stars away from the service.

HBO's new comedy The Brink refers to a world on the brink of nuclear warfare — possibly one of the least-funny premises imaginable. But the two brothers who created the show cut their teeth on a particular kind of political scripted satire that had its heyday in the 1960s and '70s. Think Dr. Strangelove, M*A*S*H and Network and other films by Paddy Chayefsky.

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Roy Andersson just might be one of the most interesting oddballs in the world of film. His Hollywood fan base includes high-class auteurs like the Wachowski siblings, Darren Aronofsky and Alejandro González Iñárritu — but he's best known in his native Sweden.

Back in 1970, Andersson's first film, A Swedish Love Story, took Europe by storm. He was only 26. "It was a fantastic time for me," he recalls. "However, I was not very happy after that. I was a little depressed. My second movie was a flop in all senses. A very, very big flop."

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Let's say you're not a millionaire but you're still interested in buying affordable art from the comfort of your living room. Where do you find something that is between craft-oriented websites like Etsy and high-end auction houses like Sotheby's? Now, new companies — like Paddle8, Ocula, Artline, Saatchi Art, Artsy, Amazon Art — are trying to fill the gap.

Shirin Neshat, the most famous contemporary artist to come from Iran, is playing with her rambunctious Labrador puppy in her airy Manhattan apartment. "Ashi, Ashi, come here!" she calls.