Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

Earlier this week, All Songs Considered shared our favorite music from debut albums released in the first half of 2015. The NPR Music team also got together to make epic lists of albums and songs we already think might make our year-end lists in December.

Thursdays this year we're celebrating All Songs Considered's 15th birthday with personal memories and highlights from the show's decade and a half online and on the air. If you have a personal memory about the show you'd like to share, drop us an email:

There's a new album coming from Beach House, the dreamy Baltimore-based duo of Victoria Legrand and Alex Scally. That album, called Depression Cherry, comes out on Sub Pop on Aug. 28. Today we get to hear a first song from the album, called "Sparks," and I interviewed Beach House about it.

The fun, colorful Massachusetts trio And The Kids plays music that's full of life, with singalong songs and sometimes dissonant sounds. You'll get a sense of the band in this Tiny Desk Concert, as Hannah Mohan, Rebecca Lasaponaro and Taliana Katz perform songs from their effervescent 2015 debut, Turn To Each Other — including my own favorite, "All Day All Night."

Mohan and Lasaponaro have been making music since they were in seventh grade, a long friendship that helps make the mix of happy and sad songs all the more poignant.

Set List

This week marks the mid-point of 2015, and the All Songs Considered team is ready to take stock. On this week's show, we share our favorite music from debut albums released in the first half of this year. It's only June, but we picked the music we're already eyeing for our year-end lists in December.

The collective excitement surrounding a major album release is infectious, but the satisfaction of turning friends on to a great new album by an unknown artist is true joy. That's why, for next week's All Songs Considered, we will play songs from our favorite debut albums of 2015 (so far).

We also want to give you a chance to share your own discoveries.

Using the form below, tell us your favorite song by an artist you've discovered this year. We'll compile and share a playlist of your picks in the coming weeks.

Thursdays this year we're celebrating All Songs Considered's 15th birthday with personal memories and highlights from the show's decade and a half online and on the air. If you have a story about the show you'd like to share, drop us an email:

Strand Of Oaks' music is filled with bite and sometimes regret, but also a good deal of warmth. Neil Young is an obvious touchstone when the loud guitar solos kick in, but so is Jason Molina.

The Prettiots' songs are winsome and clever, but most of all they're honest and funny. Goodness knows pop music needs some clever fun.

The three women in The Prettiots — Kay Kasparhauser on ukulele and lead vocals, Rachel Trachtenburg from the Trachtenburg Family Slideshow Players on drums, and bassist Lulu Prat — share their love of everything from Law & Order to old-school girl groups like the Shangri-Las. Their song "Stabler," performed here, is based on Kasparhauser's infatuation with the Law & Order character Elliot Stabler.

On this week's episode of All Songs Considered, we've got an album announcement from a new band featuring Dan Auerbach of the Black Keys and song premieres from Widowspeak and Joan Shelley.

There was a moment, listening to Gardens & Villa's new song "Fixations," that I was transported back to 1974 and hearing Brian Eno's "Third Uncle" from that brilliant album Taking Tiger Mountain (By Strategy). It's all in the way Chris Lynch and Adam Rasmussen blend buzzy synths, guitars and vocals to make one sonic signature.

Anna & Elizabeth are almost single-handedly resurrecting the "crankie." If, like me, you didn't know what a "crankie" was, it's like a mural on a spool — each drawn and crafted to be hand-cranked and unfurled at the pace of a song. The effect, as experienced here in "Lella Todd Crankie," is breathtaking.

Ben Folds music has taken another turn, firmly embracing strings and chamber music yet still maintaining a passion for his love of pop. So There, his next album, will consist of eight chamber pop songs with the very talented yMusic Ensemble and one piano concerto performed with the Nashville Symphony. Today we premiere a little pocket symphony of sorts, a bit of pop perfection called "Capable of Anything."

It's often true that the songs we wind up loving most are the ones that surprise us. I'm not a pop music lover, not a lover of songs with obvious hooks, so when I heard the big fat chorus that starts off Genevieve's "Colors," I thought, "uh-oh." What wound up drawing me in first was her voice — powerful with a tiny bit of rasp and a sweet smile in her phrasing. And then that perfectly positive message, worded in a way that gave me chills:

They came to the Tiny Desk a bit groggy, having been up late playing music in the hotel the night before. It's what Frank Fairfield and his friends Tom Marion and Zac Sokolow do when they're together. And the music they make is casual and mostly hand-me-down songs from well before Fairfield was born nearly 30 years ago.

Every Thursday this year we're celebrating All Songs Considered's 15th birthday with personal memories and highlights from the show's decade and a half online and on the air. If you have a story about the show you'd like to share, drop us an email:

There's sweetness to Madisen Ward And The Mama Bear's music that makes me smile, and then there's so much more. I first saw the Kansas City mother-and-son duo perform last fall in Nashville's Blue Room, a small, perfect-sounding stage at Third Man Records. The bluesy roots of the music suited the space, and the sound — with young Madisen Ward's powerful, quivering voice backed by his mother Ruth — had a homespun feel.

They've made music together since they were young teens, coming together in Edinburgh from places as far apart as Ghana and Maryland. Young Fathers' hip-hop-infused poetry is intense; you can hear that on the group's new album, White Men Are Black Men Too.

Cate Le Bon wrote some of my favorite words of 2013 on her album Mug Museum. White Fence is the swirly psych-like music of Tim Presley. Cate and Tim are friends — Cate played guitar on a tour with White Fence — and so now there's this: DRINKS.

I've been a fan of Laura Burhenn since we met at NPR's studios with her band Georgie James eight years ago. Her pop wisdom and desire to push her limits have produced some great music, especially the past two Mynabirds records.

Bellows' debut album, Blue Breath, was among my Top 20 records of last year. What sets Bellows apart from thousands of other guitar-bass-drums bands out there is its heart. Oliver Kalb sings about things that matter to him in ways that matter to me. His sing-song, matter-of-fact phrasing and guitar melodies are memorable, and the harmonies are lovely, with the staying power to drift in my head for days on end.

We met at a ping-pong party in Iceland. Brendan Angelides introduced himself as a musician and friend of Jónsi and Alex Somers, who were hosting the party. When I came home from the Iceland Airwaves music festival, I listened to the music Angelides makes under the name Eskmo, and was intrigued.

Christopher Paul Stelling is a brilliant fingerpicker with a message: "I know my work is never done, 'til I can see the good in everyone." That's the heart of his new song, "Hard Work," and the setting for this live, one-take performance couldn't be simpler: his tiny NYC kitchen. The song comes from his stirring album, Labor Against Waste, which is out on June 16.

When we asked listeners to tell us about a song they turned to this week — one that spoke in some way to weighty events unfolding around the world and how they felt — we weren't sure what we'd get. Would it be mostly songs of solace? Songs of grief, or anger?