WUIS Classic

WUIS Classic

Playlists for WUIS HD2 Classic can be found here: http://classical24.publicradio.org/listings/calendar.php?display=true&source=C24

Arvo Pärt was saved by the bell. The Estonian composer, who turns 80 in September, hit a creative roadblock in 1968. After a hiatus of eight years he returned with a new sound inspired by the simple triad (a stack of three notes, an essential building block of Western music) and by bells. He called his new style tintinnabuli (from the Latin for bells).

Does the name Jan Antonín Koželuh mean anything to you? It doesn't register even to most classical music geeks. But Albrecht Mayer would like to change that.

Ethan Hawke might strike you as an unlikely guide to classical music. But in directing his first documentary, Seymour: An Introduction, he created an intriguing and ultimately profoundly moving tribute to a largely unknown artist, 86-year-old pianist Seymour Bernstein.

There's a kind of little village of artisans on Manhattan's West 54th Street. In a couple of plain looking office towers, there are a bunch of rehearsal studios, violin makers' workshops and other music businesses. Behind one of those office doors on the 10th floor sits Frank Music Company — Frank's, as everybody calls it.

It was supposed to be a celebratory occasion, a high-profile performance of a piece given life by the orchestra that commissioned it — a young composer's music played by other young musicians.

Instead, the performance scheduled for Sunday of Jonas Tarm's music at Carnegie Hall by the highly regarded New York Youth Symphony (NYYS) has been canceled after it came to the attention of the ensemble's administration that the piece contains a quotation from the Nazi "Horst Wessel Lied."

The Bachelor, the reality TV show poised to close out another nail-biting season (which young woman will Chris Soules choose Monday?), has nothing on opera. Over the past 400 years, composers have placed onstage any number of hot-blooded Romeos, sensible gentlemen and conniving psychopaths all looking for the perfect mate.

Pavarotti, roll over. There's a new king of the high Cs. His name is Bryan Hymel and he pops off no fewer than 10 of them in "Asile héréditaire," the Rossini aria that opens his new album Héroïque, released Tuesday.

By some measures, China is now the world's largest economy. It's also a gigantic market for American brands, from Hollywood blockbusters to KFC and Pizza Hut. But one Chinese conductor, Long Yu, would like these cultures to hear each other a little more clearly. He's launching a new project to do just that, and it's starting tonight with the New York Philharmonic.

Music lexicographer Theodore Baker, in his biographical dictionary of musicians, labeled J.S. Bach as the "supreme arbiter and lawgiver of music." And while Bach may have blanched had he read such a description, there is absolute power to much of his music.

When Amit Peled was 10, his parents gave him a gift: a cassette of music by cello master Pablo Casals. Peled had no classical background; his parents were not musicians. He says his own budding interest in the cello was a scam, a way of getting close to a girl in his town who happened to play the instrument. And yet, every night, he would fall asleep with the tape playing from a boombox beside his bed. The music made an impression.

Even trailblazing composers like Steve Reich sometimes look to the distant past for inspiration. His 1993 Duet for two violins and strings is music in which minimalism reaches back to its ancient roots. These six minutes of mesmerizing sunshine recall both the rigorous counterpoint of J.S.

The Cold Wrath Of Nature, Given Operatic Voice

Feb 7, 2015

On June 28, 1969, police raided the Stonewall Inn, a gay bar in New York's Greenwich Village. A riot broke out, sparking successive nights of protest and, many say, the emergence of the modern gay rights movement.

They're celebrating Down Under. Today is Australia Day, a holiday marking the arrival of British ships at Sydney Harbour in 1788. A perfect day then to salute something truly Australian, something that speaks of national pride, austere landscapes and even the darker side of Australian history — the music of Peter Sculthorpe, who died last year at age 85.

The day composer John Luther Adams won the 2014 Pulitzer Prize for his symphonic seascape Become Ocean, I tracked him down in Houghton, Mich., in the northernmost reaches of the Upper Peninsula. Over a crackly phone line, Adams — who turns 62 Friday — said he never thought much about a career with a capital C.

Pill popping, pot smoking, back-stabbing, bed hopping and tantrum throwing — now we're talking classical music! At least that's what the new Amazon series Mozart in the Jungle would have us believe is all in a day's work for orchestra musicians. The 10-part series is based on a tell-all book of the same name published a decade ago by oboist Blair Tindall.

Farewells are never easy, especially when you're saying goodbye to a favorite musician. From conductors and composers to pianists, singers and critics, the classical music world lost many masterful musicians in 2014.

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